Maiden Mother Crone (The Arrival)

Maiden Mother Crone

I have taken dozens of photos, scrapped hundreds of words, and pulled on my hair. I cannot capture the images and I cannot find the words to describe what I’m seeing, but my Maiden Mother Crone triptych is in my possession. And it is phenomenal.

I’m nearly speechless with awe.

I began blathering about this last year when my friend, the art historian aka The Bitch Across the Hall, snagged some student work. I threatened to steal hers, but as the conversation with the artist, Melissa McCloud, progressed, I found myself commissioning my own set. I fretted for some time trying to figure out how to pay for them only to receive the news that Dr. B.A.T.H. was giving them to me for my 50th birthday.

Melissa McCloud

My 50th birthday, all around, was an occasion that kept me in happy yet overwhelmed tears. The significance of the triptych to my turning 50 is so apparent to me that I’m puzzled when I have to explain it to people.

The average of menopause in this country is 50 and I’m right on track. Menopause is sometimes referred to as the crone stage of life. I’m still mothering my son, albeit in quite different ways, but the hallmarks of motherhood are passing. I’m entering, mostly gleeful, the crone stage.

Here it is Easter weekend. I have in no way marked Easter in the Christian tradition or Ostara in the pagan tradition. I have sat around wiggling my nose hoping to end up with a bunch of completed projects without putting in the time and effort.

It wasn’t working.

I forced myself to pick up the camera and try again. It was an insult to the artist and to my friend not to acknowledge this triptych. In moving about the house trying to capture their beauty, I’m slowly gathering steam.

The Working Drawing

The three women are carved balsa wood. Layers of balsa were glued together (laminated), cut and carved. At my request, they were heavily textured and stained the same color as my woodwork and most of my furniture. I wanted them to slide into this house like they’d always been here and to appear as if they’d organically grown with the barn on this hillside. And they have.

Carved front and back.

There’s no place in this house they wouldn’t be perfect. My struggle is to find the right place where I can see them often and touch them often. They beg for touch. (Besides which, I never get the opportunity to fondle a well-endowed set of breasts.)

Some years ago, I whined and pleaded my way into another piece of art featuring the torsos of three women (Artist: Sherri Weeks.) The multimedia piece has hung in my study for several years now and I never tire of looking at it. In anticipation of the Maiden Mother Crone arrival, I have been preparing the study for installation which has involved a thorough gutting, cleaning, wall repair, dithering about color, and the application of 8 million coats of paint. I have whined.

I have also stalled.

The Other Women

My plan was to install the triptych under the painting and on top the bookcases that serve as a credenza. The one trio of women would mirror the other.

For some weeks I worked feverishly on the study and other weeks not so much. The closer I got to finishing, the more my energy levels waned and then I got zapped by Carlos the Cruddy Cold (who may turn into Boris Bronchitis).

The camera is just inadequate.

Without the ceremony they deserve, I picked up the triptych on Friday. My inertia deepened when I couldn’t get them to photograph well, I couldn’t describe them to my satisfaction, and I couldn’t find the energy to finish the damn study.

Frankly, I’m tired of the chaos of the study project. I want nothing more than to sit in there gazing adoringly at my six women.

Winter is over, the triptych is here and I feel ambition welling akin to the swelling of the branches that will result in leaves and flowers on the plants in my as yet neglected garden.

The women whisper to me to get on with the next stage. The earth has turned, the sun has returned, and the time has come.

The women must be listened to.

The First Blog I “Read” Regularly

Rick Lee’s photoblog was one of the very first blogs I ever read and I now log into it daily as part of my morning coffee routine. I love his photography – particularly his grocery store shots.

Someone has put together this slideshow and, apparently, Rick didn’t know about it. [I don’t know Rick, but he seems like a first-name-basis sort of guy, ya know?]

It’s a beautiful slideshow of some vivid images. Enjoy.

In Need of Iron and Fizz

Really, all appearances to the contrary...I'm not...

Really, honest, I don’t try to be a Drama Queen. It just happens.

A friend just posted an appropriate passage from Tom Robbins’s novel Jitterbug Perfume. A young Indian woman, Kudra, has developed a passion for scents (and the mixing thereof) only to find herself arranged to marry a rope maker. Robbins writes the following which resonates loudly with me:

Rope. The Gods have a great sense of humor, don’t they? If you lack the iron and the fizz to take control of your own life, if you insist on leaving your fate to the gods, then the gods will repay your weakness by having a grin or two at your expense. Should you fail to pilot you own ship, don’t be surprised at what inappropriate port you find yourself docked. The dull and prosaic will be granted adventures that will dice their central nervous systems like an onion, romantic dreamers will end up in the rope yard. You may protest that it is too much to ask of an uneducated fifteen-year-old girl that she defy her family, her society, her weighty cultural and religious heritage in order to pursue a dream that she doesn’t really understand. Of course it is asking too much. The price of self-destiny is never cheap, and in certain situations it is unthinkable. But to achieve the marvelous, it is precisely the unthinkable that must be thought.

Clearly, I’m not piloting my ship correctly.

While I don’t think I’m “dull and prosaic”, my adventures have been such that my central nervous system feels minced and not just chopped. Perhaps if my adventures had meaning.

I wrote a blog post yesterday morning while waiting on the electrician. He’d rigged things so I had heat throughout the house, but only power in the kitchen – no internet, phone, hot water, or whirlpool baths. I’ll upload that post tomorrow, maybe[There’s newly developed laptop drama.] In it, I lamented having as my goal wanting to be bored. Finally, I was well and truly bored. I’d been stuck in my house, more or less, for a week without power and/or heat.

When did we have to start paying Knights in Shining Armor?

This morning, while waiting on the electrician to come and finish the replacement of my circuit box, I tripped over the cat in the dark and spilled my cup of coffee on the laptop. Guess what won’t work? My entire life is in that thing. Oh, sure, I can get the stuff off the hard drive by taking it to a shop, but if trying to dry it out doesn’t work, I’m going to be living without a laptop. I’ve really gotten attached to that thing.

I read somewhere that in such instances one should immediately remove the battery, dry everything off with a towel as much as possible, turn upside down and wait 24 to 48 hours. This is what I’m doing. I also chant, “please oh please oh please oh please” a lot. We’ll see.

I arrived home to power, heat, a working dishwasher, and a closet bi-fold door that will now shut. I was rather disgruntled at not to be able to curl up on the sofa with the laptop and proclaim my joy to the world. More importantly, I’ve got a boatload of photos and emails that I HAVE TO HAVE. I have a week’s worth of work on there. This laptop thing is a disaster. I’m not even done with one disaster. . . And so I lament the drama of my life.

Wall O'Art

Fortunately, my blue room makes me smile and I used the traditional laptop time to hang the “art” that just arrived in the mail. Yes, Virginia, you can buy prints of fine art for $4.99. The hanging went reasonably well. I bought these new-fangled hanger thingies that made it a breeze. No more wall anchors for this chickie.

For a better balance of color, I had to move things around on the top of the desk. The arrangement still needs work. The Moss West Virginia poster needs to relocate to another room, the one Georgia O’Keefe needs to move to the to-be vacated-wall and another Georgia (Morning Glories, perhaps) needs to be procured to complete that section of the room.

This Matisse *really* knocks me out - Decorative Figure. . .

Over the desk is now the perfect spot for Matisse’s Decorative Figure on an Ornamental Ground – one of his odalisques. I’ve been looking for this thing FOREVER and finally found the print at a reasonable price – next paycheck maybe.

 I have a thing for Matisse –he just knocks me out. I like Georgia, but she’s no Matisse. The two of them together are a yin/yang that please me. Tom Robbins also rocks my world and one of his novels features Matisse’s Blue Nude – I love how the circles of my affections intersect.

[Oh yes, I can hear you art snobs rolling your eyes. Yes, I chose prints to go with the room. But please remember the room was painted the color it is to go with the objets d’art that were already in the room. And besides, I bought prints that I had always liked – I didn’t just go shopping for blues. So there. As for my pedestrian taste – sue me.]

The print I haven't found yet.

So, yes, back to Tom Robbins – I’m lamenting the meaning of all this chaos. The big stuff I can handle – bone marrow transplants, etc. – it’s all this little crap that’s getting to me. I well and truly feel as if I’m being nibbled to death by ducks – the mundane is going to do me in if I don’t find the oars of my metaphorical boat and start rowing in a different direction. Ah. . .but what direction might that be?

Hell if I know. 

I do know I need fizz that doesn’t fizzle and iron that doesn’t rust.  And adventures that are  little less prosaic (and expensive).