fiction

Talavera Memory

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MEXICO-MAYA ARTISTS. “Market Scene,” by Maya artist Gregoria Coche Mendoza from San Pedro de Laguna

Maria Lucia Machado was ready for market.  Every Friday, the same routine.  Pack the vegetables, the fruit, the flowers into baskets, bowls, and boxes and load them into the back of the truck that only still ran because Maria Lucia Machado lit a candle at mass every morning, praying for its continued life.

Into the back of the truck, she also loaded the box of used plastic bags for those who didn’t have shopping bags – usually the gringos that came over the border for Market and cheap prescription drugs at the farmacia.

Not loaded yet were the watermelons.  She was waiting for Ricardo, her eldest, to come load those.  They were now just too heavy for her old bones. 

Oh!  And her tamales.  Maria rushed to the kitchen.  She had made them the night before.  They only needed to be wrapped and would be ready to go.  She thought it stupid to wrap them – that’s what the corn husk was for.  Stupido.  But the city folk and the gringos wouldn’t buy them in just the husk.  Maria shook her head as she wrapped them quickly, two each to a square of tinfoil. 

¡Hola, Mama!  Ricardo had arrived.  All happiness and enthusiasm.  Ricardo loved market day.  Ricardo loved life.  He was young, and he was strong, and he was filling his head at the universidad.  He was also in love with Teresa Maria Antonio. 

Mama, I took three of the calla lilies for Teresa.  ¿OK? 

Sí, nino. 

She hugged him, marveling that his strong, beautiful self came from her body. Oh, how she wished Eduardo had lived long enough to see the man he had become.  A fine one.  With a future.

Mama, I brought some of Teresa’s art to sell for her. ¿Is that okay with you?

Yes, of course. Let me see it.

It’s in the truck already, come see

Ricardo pulled out a canvas, and Maria gasped.

Oh, nino.  She is very talented. That is the pattern I described to her.  Just words.  The one mi madre designed to represent her goods.  Maria touched the painting gently.  It was like her Mama was alive again.  ¿She saw this from my words?

Yes mama.  I have a surprise.

¿A surprise?

Yes.  Teresa said to give this one to you.  It is yours.  Teresa said your descriptions of the old Talavera patterns were invaluable.  She knows now that she is preserving history and not just guessing.

Maria Lucia Machado loved the painting too much to even pretend to demure.  A wide grin filled her face.  For once, her missing teeth could not quiet her face.

¡Oh, nino! ¡Tell her gracias!  Bring her for dinner Sunday.  I will prepare a feast of thanks. 

Mama, you will still be tired from market.  I will bring her to dinner on Sunday, but just a regular Sunday meal.  It will be enough.    

Maria looked at the old wall clock above the stove.  It was time to leave.  She gathered her things and headed to the truck.  Ricardo would drive.  He helped her into the cab, and when finally seated, he turned to his mother and both of them at the same time said, “Hail Mary, full of grace,” as he turned the key.

The truck started on the first try.

Maria grinned for the second time that day.  A good omen.  It would be a good market day. 

Lucy’s Regal Blue Dress

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Nightlife. 1943 Archibald John Motley Jr.

Lucy Goosey pulled her worn winter coat out from the back of the closet.  Glancing around to make sure she was alone, she slid the dress out from underneath the coat.

The dress still had the tags on it.  It was a size 8, and the color was Regal Blue. It fit every part of her, requiring no alterations.

After she cut the tags off, Lucy would tuck them into her scrapbook.

 Lucy had never had clothing, other than underwear, that was storebought new with tags.

She kept the dress secret even from her mother, though it fair killed her.  She did not want the gossip and speculation to start.  She intended to surprise.

She laid the frock on her bed and spread the skirt.  The color was glorious, and Regal Blue was the perfect description.  The taffeta caught the early sun and glowed. With its full skirt and low neckline, Lucinda Marie Duval would command attention.

Lucy paid on the layaway for twelve weeks, doing without the few extras she allowed herself.  She walked to work every morning and home from secretarial school every night so she could use her bus fare against the layaway balance – the one decreasing oh so slowly. 

In celebration of her eventual achievement, the shop owner steamed the dress for free before expertly folding it to fit into the store’s signature box. 

Once home, she lifted the dress, taking care not to disturb the tissue paper stuffed into the bodice and sleeves to prevent wrinkles. Lucy set aside the pink ribbon used to bind the box shut. She would wear it with her maid’s uniform. 

She saved the pristine and sturdy white dress box.

Nothing in Lucy’s life served a single purpose. The gleaming dress would celebrate her betrothal or mark the end of a relationship stealing her youth.  The Regal Blue frock might go on to serve as her wedding dress should they decide on a Justice of the Peace, but either way, it would end up in the window of the consignment store.  The proceeds would be applied to the next semester’s tuition.

Johnny knew she, the woman he had nicknamed Lucy Goosey for her fluid dance moves, had been expecting a proposal for months. 

Johnny changed the subject if the air between them felt palpable with expectation.  He knew she was trying to find the words that would prod his.

Once she found those words, everything would change. 

A few times when her expectation niggled at his brain, he sent his younger brother with a message that he was ill and would not be able to escort her to Smitty’s as planned.

Johnny was not prepared for the Lucy who greeted him at the door.

Everyone at Smitty’s would understand as soon as she walked in arm-in-arm with Johnny. If they did walk into Smitty’s.  Moving from her doorway to Smitty’s might not happen.

The light from the floor lamp set her skin, her eyes, her hair, and the taffeta glowing.  Johnny was on the porch, but the lamp lit his face as well. 

Lucy watched his expression change and then change again. She did not need to say anything.

She was regal.

She wanted it understood she was not a supplicant. His first naked expression told Lucy he did understand.  He knew he had until he walked her home to make the decision.

The niggle had failed him this day. Surprise had been achieved.

The splendor of the dress did not overpower her in any way.  She was striking. She was tall. She was resolute.

Lucy was planning a future ablaze with certainty. She knew lots of people with promise who never found that future.

Still, her voice was soft when she said, “Shall we go now?”

Johnny held out his arm. She wrapped hers around it.

His voice as soft and gentle as hers had been, he said, “You are so lovely.”

Johnny would remember, for all of his life, the image of Lucy in the doorway.

Lucy did love Johnny.  He excited her and made her feel alive. They danced together like one body. She thought them well-suited in temperament, though she wasn’t sure his ambition matched hers.

Her future would fork left or would fork right this very evening. So would Johnny’s. The question was whether they would be arm-in-arm on the same fork.

Her mother and father had loved one another. As had his.

Though necessary, love can be not enough. Lucy understood that. Johnny suspected as much, but hadn’t allowed himself to think beyond the now.

He loved his Lucy Goosey, but he would never again call her by that name.

Now was slipping away and soon Lucy might too.

She slowed her pace to match his as he checked his watch.

Smitty’s was just around the corner.

Why I Write

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I was an early reader.

My father, who worshipped knowledge and bequeathed that religion to me, used 3×5 cards and masking tape to label everything in our home when I was three.

table

chair

couch

television

telephone

door

bed

And then there was the 3×5 card
he attached to his dog tags
with a paperclip that said Daddy.

But I don’t really remember reading early. I may have known some words by sight, but I don’t think I was reading reading.

I have a vivid memory of walking home from first grade, puzzling over a Dick and Jane story. It had been worksheet time, and I finished early, so the teacher told me to look ahead in my book.

I encountered the word neighbor. All the phonics in the world wasn’t helping me with that sucker. I twisted those sounds and pronounced it aloud as I walked home (yes, alone, children were feral in the 1960s), and as soon as I rounded the corner and saw the elderly woman who lived in the house next to ours, whom I called Grandma Dot, it clicked. Neighbor.

I think that’s the day I really learned how to read.

From that moment on, I read everything I could get my hands on. I had library books, Scholastic Fair books, and, best of all, the grocery bags of books my mom bought for me at the local Goodwill and Salvation Army.  And of course, the Weekly Reader. When those ran out, I read our World Book Encyclopedia. And one time, my dad came home to find his 8-year-old daughter reading the Taming of the Shrew in his collected works of Shakespeare.

I read the encyclopedia and the back of the cereal box and the church program and the owner’s manual for the car and anything else within arm’s reach when I had to, but I wanted story.

Someone wrote, or perhaps I heard it said at a conference or workshop,

The human brain is hardwired for story.
We crave it so much that our brain
tells us stories all night long
and we call them dreams.

Or something like that.

I read voraciously, but I was also a social child. Cottoning on pretty early that it was rude to whip out a book and start reading when the conversation began to lag, I began oral storytelling.

In sixth grade, I was famous for holding court underneath the North Carolina pine trees after dinner and telling stories I made up on the fly. After the sun set, they became scary stories, and we all, including me, shivered with delicious fright as the tale was spun. Even I didn’t know how it was going to end.

I didn’t write them down.

By junior high, I knew I wanted to be a writer. I knew writers had to write to be writers, but there was something about the blank page that kept me from making a mark on it.

I only wrote for school assignments.

In high school, I fell in love with classic literature and gave up all hope of ever being able to write that well.

So, I was premed in college.

And then I dropped out when organic chemistry was close to stealing my will to live.

But I continued to tell oral stories to anyone who would listen. Some true. Some not.

When I feared my brain had turned to mush and was sliding out of my ear and down my neck, I re-enrolled in college a few years before my 40th birthday. It’s not germane to this discussion, but I eventually majored in Cultural Anthropology. The semester I took stats and theory, I was in desperate need of diversion and signed up for creative writing.

Doing what I always wanted to do with my GPA on the line kept me accountable. I mastered the blank page. It was dreck, but it was something.

And I found the state of being Diane Ackerman calls Deep Play.

Deep play is the ecstatic form of play.
In its thrall, all the play elements are visible,
but they’re taken to intense and transcendent heights.

My head, my heart, my soul, and my body were all in sync while I pounded keys trying to get the words into pixels before another synapse fired and they were gone.

I love the syncopation of my inner drum circle where id, ego, and superego jammed together, their beat thrumming through my body and my brain.

I write because it feels good. I write because I don’t just want to consume the needed story; I want to create it.

I write to be read. I think I have something to say that perhaps is of use to some people.

And I write to remember. I write to leave a legacy.

I write because that 6th-grade girl remembers the rush she felt when she knew her audience was leaning forward waiting for the next line.

Because we are all hardwired for story.

I want to coin a new word

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I want a word that means to feel it all at once. To include the cognitive dissonance with the revelation of divine knowledge. To embrace the sacred and the profane. I want that word to recognize that I can be at peace and at war within myself at any moment, either one or both simultaneously.

To feel it all at once is to glimpse the mind of the creator. Perhaps. I want the ennui and the exhilaration of my being to dance. A tango. Slow, deliberate, sinuous, winding about one another until the boredom embraces the joy reaching crescendo. And then there is silent acceptance of both when the music fades.

This is my life now. I don’t want to call it a new normal. I despise normal – always have. I have striven all my life not to be average. I’d rather be a failure than just fade to black.

This life, the one right here, the one that I call a trainwreck, is mine and I don’t want to shut down any part of it. It has become who I am.

I was in a trainwreck one time. Really. I hit a train. It makes for a great party story.

And that is my goal: to ferment all of this into a story that both bears witness to the tragedy and provokes laughter at having trried to overcome it all and only sometimes succeeding. I want to coin that word.

If we can’t laugh, we can’t cry, and both are necessary for either to have any potency. Any meaning. Any effect.

I want a word for all of this. These events and feelings and effects have shaped me and continue to shape me into a person I hardly recognize, but who is resolutely and most definitely me.